Saturday, April 26, 2025

My 135 mm Tamron Delusion Ends, It's Plan B now

I really thought I could get away with using my old Tamron lens for imaging Integrated Flux Nebula (IFN), but it's not to be. The number of minuses kept growing as I spent more nights practicing with the setup. I realized that my desire to use the Tamron and was blinding me to the issues that doomed it.

The greatest difficulty was being unable to rotate the field of view in a reproducible manner. This happened every night I used the setup with one night being 45 degrees out of kilter from the others. Keeping the camera orientation consistent between multiple imaging sessions is essential; without this, some of the field will need to be discarded during stacking. It became obvious that the amount of lost field would probably be substantial, resulting in a much retained field of view. The advantage of the wide 135 mm field of view would be lost. I think the cause was the ring clamp I was using to join the lens and camera to the dovetail. To permit manual rotation of the camera this ring had to be loosened and retightened many times, resulting in misalignment.

Image quality was also not what I wanted. There was no reasonable solution for the back focus error and I would be stuck with strong aberration needing to be corrected by BlurXTerminator. I knew some residual aberration remained, and I was concerned that this might show itself during the aggressive processing I would use to draw out the IFN. 

I came to realize that the stepdown ring I was using to produce spikeless stars was causing severe vignetting. While flat frames could somewhat compensate for this, too much signal was being lost -- again diminishing the effective size of the field of view. Using the lens's internal blades to stop it down was an alternative that created large, flaring spikes around the stars. I found this unacceptable.

Plainly, the lens was not up to the purpose and it was time to move to Plan B.

Plan B

The fallback is to use the FSQ-106 + focal reducer operating at a focal length of 387 mm and focal ratio of f/3.65. This California Nebula image used that configuration and gives you an idea of what it can do. The advantages are many over the Tamron: 

  • 17% increase in speed (f/3.65 vs f/4)
  • A very flat field with modest vignetting  
  • An actual rotation ring
  • Amenities like autofocus, autoguiding and dithering, easier creation of flat frames, and automatic meridian flipping

This is a much heavier scope to tote around, but the only real disadvantage it has is the smaller field of view. Here's a comparison:

135 mm Tamron field (outer box) vs 387 mm FSQ field (inner box)

The star cluster is no longer in the FOV, which is fine as the IFN is the real target. Does the smaller FOV (about 3.5 x 2.3 degrees) include enough IFN to be worth imaging? This image of Polaris IFN by another imager has essentially the same FOV as my setup will produce. I think there's enough IFN there to make it worthwhile particularly if Polaris can be reduced in size. I'll also compose the image to have Polaris much closer to the north edge of the frame, making more room for the IFN. 

Other aspects of the comparison image are worth looking at.

The scope used was an f/5.5 refractor with a flattener that didn't affect the focal ratio (so far as I can discover). The camera, an ASI 6200 color camera, has a quantum efficiency about the same as my ASI 2600 mono camera. The total integration time was 5 hours and 10 minutes. My thought is that if I want a reasonably deep image with low noise I should try to get at least twice the total time that went into the image. I'll probably use a plan that requires two nights of imaging: 5 hours of luminance one night, 3 hours of Chrominance another night. That's roughly the equivalent of 11.7 hours of one-shot color gathered at f/5.5. 

Yes, I know, that's a LRGB ratio of 5:1:1:1 and instead of the usual 3:1:1:1. I just like working with luminance; one night a few years ago something glitched and I ended up shooting only luminance. The final ratio was 6:1:1:1 and the result was quite nice (in my opinion, of course).

The comparison image was created using 5-minute light frames, which is probably why star colors are muted and Polaris is bloated. I've had much better luck with shorter exposures, and may simply go with 90 s lights. Both of my linked images used 90 s lights exclusively.

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Tariff watch: the Rokinon 135 mm lens (Plan C) is holding steady at $449 and in stock at B&H.

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